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Event

International Conference on Narrative: April 20 - 3

Friday, April 20, 2018 13:45to15:15
Bronfman Building 1001 rue Sherbrooke Ouest, Montreal, QC, H3A 1G5, CA
Price: 
Free

The International Conference on Narrative will be held at Ď㽶ĘÓƵ in Montreal, Quebec, Canada from April 18 – 22, 2018.

Professor Lindsay Holmgren invites the Desautels Community to attend the Panels and Talks hosted at the Desautels Faculty of Management.

Please note that the plenary engagements are closed to the public due to limited seating in Moyse Hall.


1. Margins Transforming Centers in 21st Century Televisual Storyworlds

Location: 151
Moderator: Frederick Aldama, The Ohio State University

Presentations:

  • What Comes After Complex TV?
    Jason Mittell, Middlebury College
  • Anatomy of the Cold Open
    Sean O’Sullivan, The Ohio State University
  • Webisodes as Alt-Storyworld Space for Latinx Subjects
    Frederick Aldama, The Ohio State University

2. Dangers of Fictionality

Location: 422
Moderator: Maria Mäkelä, University of Tampere / Aarhus University

Presentations:

  • A History of the Dangers of Fictionality from Lucian to Kurl-on Mattresses
    Simona Gjerlevsen, Aarhus Universit
  • Hazardous Fictionalized Encounters: Borat, The Ambassador and Yes Men
    Louise Jacobsen, Aalborg University
  • Dangers of Autofiction
    Stefan Kjerkegaard, Aarhus University
  • Fake News as Satire and as Deception
    Henrik Nielsen, Aarhus University

3. Narrative Theory and Contemporary Environments

Location: 423
Moderator: Erin James, University of Idaho

Presentations:

  • Fuzzy Spatialization in the Anthropocene
    Erin James, University of Idaho
  • Of Ice and Octopi: Nature Poetry and Unnatural Narrative
    Brian McAllister, The Ohio State University
  • Medeas of the Bayou in Jesmyn Ward’s Salvage the Bones
    Ned Schaumberg, University of Washington
  • Slippery and Frayed: Observing Spaces of Contact in the Work of Mohsin Hamid
    J. Caity Swanson, Stony Brook University

4. The Fast and The Slow Panel I

Location: 178
Moderator: Lars Bernaerts, Ghent University

Presentations:

  • The Speed of Plot: Narrative Acceleration and Deceleration
    Karin Kukkonen, University of Oslo
  • Self-Reflection as Speed in John Barth’s On With the Story
    Merja Polvinen, University of Helsinki
  • Slow Reading, Slow Violence: Description and Cognitive Ecology
    David Rodriguez, Stony Brook University

5. Music and Narrative

Location: 179
Moderator: Anna Lewton-Brain, Ď㽶ĘÓƵ

Presentations:

  • Shifting Focalization and Musical Form in James Joyce’s Ulysses
    Alison Cummins, The Ohio State University
  • Proust’s Musical Narrative
    Katherine Elkins, Kenyon College
  • Sourcing Story: Broken Narrative Time in Alice Munro’s “Friend of My Youth” and Tan Dun’s “Ghost Opera”
    Alex Creighton, Harvard University
  • “Everybody tests the membrane/ but no one pushes through”: Theorizing Lyric Narration in John Darnielle’s Body of Song
    Bronwyn Malloy, University of British Columbia

6.Thinking about Austen Thinking

Location: 210
Moderator: Wendy Jones, Independent Scholar

Presentations:

  • Austen’s Catherine Morland: Savvy Sexual Strategist
    Beth Lau, California State University, Long Beach
  • Does Austen’s Mind Have a Tune?
    Alison Case, Williams College
  • Jane Austen and the Therapeutic Power of Narrative
    Wendy Jones, Independent Scholar

7. Narrative at Large

Location: 310
Moderator: Cynthia Quarrie, Concordia University

Presentations:

  • The Role of Narrative in the Social Construction of Risk: Crime in Mexico as a Case Study (2004-2012)
    Gonzalo Soltero, Universidad Nacional AutĂłnoma de MĂ©xico
  • The Narrative that Wasn’t: What Passes for Discourse in the Age of Trump
    Emily Anderson, Knox College
  • Murder She Narrated: Female Narration in True Crime
    Ashleigh Hardin, University of Saint Francis
  • An Argument for Narrative Truthiness: Tim O’Brien and Using Complex Narrative to Counter Fake News
    Annjeanette Wiese, University of Colorado, Boulder

8. Queer/ Trans Citizenship

Location: 340
Moderator: Roberto Benedicto, Ď㽶ĘÓƵ

Presentations:

  • Henry James’ The Bostonians and the Narrative Structure of Queer Political Time
    Will Clark, University of California, LA
  • She was sick when she loved you: Queer Temporality in Cold War America
    Courtney Jacobs, University of Oklahoma
  • In/Exclusion Zone: Queer Narrative Liminality and Hypothetical Focalization in The Last of Us: Left Behind
    Jordan Clapper, Brandeis University
  • Reclaiming My Narrative: The Transgender Revolution in Paul Preciado’s Testo Junkie.
    Gillian Mozer, University of Miami

9. Resisting the Boundaries of Autobiography: Counter-Narration in Novels, Comics, and Stand-Up Comedy

Location: 360
Moderator: Theresa Rojas, Modesto College

Presentations:

  • Re-imagining the Self in Roth’s The Plot Against America
    Howard Sklar, University of Helsinki
  • Johnny Legs and the Biblical Piñata  of Locusts: John Leguizamo’s Ghetto Klown as Graphic Pathography
    Theresa Rojas, Modesto College
  • Countering the Homonormative Narrative: Manu Nna Takes on Netflix MĂ©xico
    Doug Bush, Converse College

10. Modernism and Modernist Poetics

Location: 410
Moderator: Allan Hepburn, Ď㽶ĘÓƵ

Presentations:

  • Narrative Invisibility in H.G. Wells’ The Time Machine and The Invisible Man
    Andrew Ade, Westminster College
  • Gothic as a Fictional Mode in Hispanic Modernist Novels
    Alexandra Bazhenova-Sorokina, National Research University Higher School of Economics
  • Non-Contemporaneity: Uncreative Practices with Narratological Consequences
    Teemu Ikonen, University of Tampere
  • Modernism’s Posthumous Queer Temporalities
    Jody Medd, Carleton University
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